If your a follower of myself on either Twitter or Instagram you will have seen that last Wednesday, Valentines day, instead of spending the night with my lovely wife I went for a day out in London with my brother to the NME awards. This was not entirely my fault as the ticket was bought as a Christmas present for me by my brother and dad, neither of them realising the date of the awards. You’ll be glad to know that apart from a bit of harmless ribbing my wife wasn’t actually that bothered, we’ve been together 15 years this week so we don’t put that much emphasis on Valentines as we try our best to make the whole 12 months of the year as special as we can for each other and the kids.
I wanted to write this piece last week but after the highs of the awards and the next day in Camden I had some family matters to deal with, that being the funeral of a very beloved family member, and then seem to have spent the rest of the week arguing with crazy Americans on Twitter regarding gun reform in light of another crazy shooting in what, from an outsider looking in, seems to be a very crazy country, but anyway, back to the awards.
The awards represented a day of firsts. First time attending the awards, first time at Brixton Academy, first time in Brixton to be honest, and although it was my brothers sixth time attending the awards it was both our first time having pit tickets so would be front and centre. Have you ever had those sort of days that seem like an amazing dream, like its not actually you, or your life. Glastonbury has sometimes felt like that, I’m certainly hoping our family holiday to Disneyland Paris later this year will feel like that, the NME awards certainly felt like that.
My brother had me laughing all day with the stories of his crazy life, he goes to a lot of gigs and festivals, he’s in Barcelona today seeing Liam Gallagher again, so leading upto the awards I spent the full day laughing and always having something to talk about. That’s the handsome devil in the photo at the top. At times though I think he was trying to downplay the awards in case I was disappointed, telling me how the awards part can drag a bit and how its a bit disorganised, and by the decline in the quality of journalism on the NME website in previous years I hoped he wasn’t right. Turned out he couldnt have been further from the truth this year.This could have been due to him having balcony tickets on previous years or that NME have just got better at organising the awards over the years but with pit tickets they really went out of their way to make it a special evening for the paying public.
On arrival we joined the queue and the doors were opened at 6:40pm, 20 minutes before schedule, before we knew it we were in and on inspection of our tickets ushered up a flight of stairs which ran directly in front of the red carpet. We just stood and watched the stars flocking in, we saw the guys from Muse, Shirley Manson and got a wave from the one and only Michael Eavis. Once up the stairs we were greeted by a member of NME’s staff who told us to get a drink from the bar and that between 8 and 8:20 we would be taken down to the pit down the opposite staircase we came in. We saw the same guy numerous times during the night and each time he made a point of asking us how our night was going. We had a couple of drinks and we saw they had a photo booth set up where you could get your photo taken with an actual NME award. They then printed the photo off in the style of an NME cover as a keepsake and sent a copy to your email address, another nice touch.
We then saw the man of the evening arrive on the red carpet and after that joined the queue to go to the pit. Another member of staff gave us a bit of a cheeky talk on the rules for the evening, there was two…..”don’t get in the VIP area and don’t get on the stage, other than that its NME so go wild and have a great night”, we were escorted down the stairs behind the red carpet to a procession of NME staff lined up clapping, high fiving and wishing us well on the evening ahead, it was very surreal but absolutely amazing.
We were led into the main hall of Brixton Academy and into the pit and the set up was unbelievable. The depth of the pit was the size of a living room, one way was the stage and the other way was the front tables of the VIP area. The VIP was an a raised square platform in the middle of the room and the front tables were right on top of the pit. We had a few minutes to kill before the awards officially started so I did a bit of looking around and noticed we had Professor Green and Elle Eyre at the tables above us, and at the far end were the Haim sisters. Me and my brother are big fans so we trotted down to the other end and after a couple of shouts we were exchanging waves and blowing kisses to the Haim sisters, who duly responded by blowing back kisses of their own, again a surreal moment. Not as surreal though as my brother getting his photo taken with Baby Haim, Alana, while Liam Gallagher was on stage.
The setup of the stage and the VIP area meant that once the night was in full flow the stars and the fans started mingling. There was only one set of male and female toilets on the floor and the award winners had to be led back to their seats via a side door next to the pit, so had to come out and walk past the entrance/exit of it. Over the course of the next magic 2 hours along with Alana Haim I met Sketch from Tattoo Fixers, the keyboardist from Bastille, Rat Boy, and Serge and Tom from Kasabian who had just won the award for best live act. Its the second time I’ve met the lads from Kasabian, once very early in their careers, and both times they were a proper treat to meet, genuine, down to earth and Tom was all giddy with excitement and told me to have a great night.
Parts of the awards seemed like a blur. Being in such a small front section meant that sometimes you ended up chatting to people or you’d be squeezing out or back into the crowd after being to the toilet or bar, but the atmosphere all night was electric. Over the course of the night we saw performances from Skepta, Alt J and Pale Waves, who were the pick of those three, then it was onto the main event of the evening, Liam Gallagher getting his godlike genius award and his half hour set to close the show. It was the reason we went in the first place.
That wasn’t before we were told by a member of the NME staff that they’d set up a makeshift bar to the right of the pit and that we should go and grab ourselves a free pint, a free pint ! You don’t have to ask us Northerners twice, this was after grabbing some free pizza earlier in the night, again nice little touches that added a bit of sparkle to the night.
Liam’s set was unreal, one of the greatest singers of my generation and a true rock and roll star, he came out and for 30 minutes hit us with in your face rock and roll, no slow numbers, no ballads, and his voice sounded class. For 30 minutes he spat venom and magic at us, and ripped through “Rock and Roll Star”, “Morning Glory”, “Greedy Soul”, “Wall of Glass”, “Better Run” and ended with “Cigarettes and Alcohol”. Neither myself or my brother saw that set coming, we were convinced earlier that day that he’d end with “Wonderwall” and that “Paper Crown” might get a run through with it being his latest single. Liam though had really sized up what he thought the energy in the room would be that night and in my opinion the set was perfect. My friend Anna got one of the setlists as well.
After the awards we headed to see the David Bowie memorial and it moved me a lot more than I thought it would. For me David Bowie is the greatest musician of all time and I was lucky enough to be at his last ever concert in the UK at the Isle of Wight Festival in 2004, so it was a quiet and emotional moment to see the memorial.
If you’ve never been to the awards I would definitely recommend it if one of your favourite artists is ever given the godlike genius award, as that’s the big pay off at the end of the night. Liam Gallagher might be godlike, but the NME awards last week were absolutely biblical !